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Category: Who’s Who

The Edmonton Queens: Leah Way

Who better for our first in a series of Who’s Who of Edmonton Queens than a three-time Empress and the host of this year’s Celebration on the Square? We talked to Leah Way about her time in the Edmonton drag scene and what we can expect from this year’s Pride and Coronation.

Leah Way has been involved in our local drag and bar scene since the mid-80s, and has seen a lot of changes in that time. Starting at Flashback, a club she remembers as being so far ahead of its time that she’s hard-pressed to come up with an advantage the current scene has over it, Leah was taught what she refers to as old-school drag Queens in those days had to be bigger than life. When a queen walked into a room, everyone’s heads turned. It was a true art form, and it had to be so. In those days, there was a huge political movement for equal rights, and of course, the AIDS crisis. Queens were instrumental in raising thousands of dollars for different causes, so to get people to come out and watch performances and donate the kind of money needed, drag had to be over the top. At a time where it was harder to be accepted for being gay, queens stood out, but as the GLBT community has acquired both more equal rights and more social acceptability, the need for people to be able to express themselves has changed, and the need and nature of drag has changed accordingly.

Over the years, Leah Way has held many titles, from being the last Mz Flashback (she was still reigning when the club closed so has never technically stepped down) to being the first Mz Gay Edmonton, as well as Empress 14 and 30, and one of the current Regents of the ISCWR. Each title carried with it different responsibilities but all were equally meaningful and memorable. One of the things Leah misses most about Flashback has carried over into how she reigns as an Edmonton monarch; the amazing camaraderie of Flashback taught Leah it was okay to be whomever and whatever she wanted, and now she supports others in making those same decisions.

When she was crowned Mz Gay Edmonton, it really was the thrill of a lifetime. It meant acceptance….. it meant she was accepted by the  GLBT community, it meant the straight community was on its way to accepting the GLBT community, but most importantly it meant she was ready to accept herself. With the 24th Gay Edmonton Pageant approaching this Pride (to be held Friday the 15th at Flash), Leah has this to say to the aspirants: “be true to who you are, represent to the best of your ability, integrity and compassion and know that more than likely you are going to make a difference in at least one persons life and you never know who or when.”

Just a couple months after Pride and the Gay Edmonton Pageant will be Coronation, and as one of 6 Regent Monarchs this year, Leah is leading the charge to make Coronation different and more inviting, especially for the in-town guests who may not understand “court”. One of the changes she feels people can most look forward is the presentation of a production of “Lion King” instead of the traditional last walks.

We asked Leah how the current court year is going and she says it’s going well, “not without its challenges of course, but every year has its own set of those”. Although she had hoped for better communication perhaps, and for more things done as a group, she acknowledges the difficulties in having so many strong personalities in leadership roles. At the end of the day though, her proudest accomplishments are the money given away to charity, and the difference that makes in so many peoples lives.

As much as she loves the role of drag in her life, Leah admits her drag career is winding down, and that she is looking at hanging up her heels in the near future. Hosting Pride is one of the things on her drag bucket list that she wanted to give a shot, and she is very excited for this year’s Celebration in the Square. This year features a lot of different acts to appeal to a variety of tastes, some returning, some new, more drag performances than last year, and “overall a day of fabulous entertainment and spending time with old friends while making new ones”. What she is most excited about is that she gets to be a part of making Pride a great experience for everyone, whether they are long time pride supporters or pride virgins.

There have been sacrifices over the years, but Leah has gotten so much more out of drag than she has had to give up; It has been well worth every sacrifice. She loves Edmonton’s community. Even though she has seen infighting, backstabbing, and bitchiness that are often hard to deal with, and worse, often directed towards novices or outsiders, Leah is proud that Edmonton’s community is one of the best for supporting each other, offering assistance, and being there in times of need.

To the younger generation of gays and lesbians, Leah Way has this piece of wisdom to offer: “live your life for you make yourself happy and don’t worry about what others say. Those who try to rip you down are only unhappy with themselves.  Live your life honestly, with integrity and always give back to others where you are able. As we acquire more equality and its safer to go out and enjoy our lives in the mainstream never ever forget where we as a community have come from and the fights we have had to go through in order to enjoy these freedoms.”

Originally published on QMagazine

The Edmonton Queens: Vanity Fair

You’ve seen her on stage as a busty blond (Dolly), a sexy redhead (Reba), or a vodka-soaked brunette (Liza). Those are just three of the faces of Vanity Fair, candidate for Empress of the Imperial Sovereign Court of the Wild Rose and a true Edmonton Queen.

In the mid-90s, a young gay boy named David moved from Vegreville to the big city and was caught up in the Edmonton club scene. One Saturday at the Roost, David was picked from the crowd by Amanda Cherish, and was told he was going to be a queen. “Drag really picked me. I don’t recall picking it,” Vanity says with a laugh. Those early years were a blur, but her first name didn’t really resonate with her. It wasn’t until she was watching the antics of a trailer park hooker named Vanity on the Jerry Springer show that she did the math. Cheap hooker + Fashion Magazine = Drag Queen, and Vanity Fair was born.

It wasn’t long after starting drag that Vanity was ushered into the world of the ISCWR, the “court”. It was Natasha Fedaz that first reached out to her and it was a rocky beginning. Vanity recalls that the queen scene was very cliquey back then and she had a few mean pranks pulled on her, like cutting her music in the middle of performing. But Vanity is “a tough cookie and stuck it out”. In the years since, she has been Mz Gay Edmonton 12 and 22, Entertainer of the Year 2000 and 2010, and the current reigning Princess of the ISCWR as well as candidate for Empress XXXVII.

To Vanity, The ISCWR “is a group of real individuals who genuinely care about Edmonton’s gay community and volunteer and give what they can to give back to their community. It is comprised of members acquired throughout the years who may or may not feel like they fit in in other aspects of the community. It is a group of real people who are individuals and have huge hearts.” She recalls fondly that the ISCWR was one of the first groups to embrace her and take her in in Edmonton and is proud that as an organization, they continue to do that to this day, “welcoming everyone and anyone who wants to belong to something, express themselves and give back to others”.

Her main reason for wanting to be Empress of this great city is to give back to a city and community that has done so much to support her and make her the person she is today. She recalls, “I moved to Edmonton at the age of 21 from a small town and didn’t know the slightest things about gay life. Edmonton embraced me and through friends, drag and the ISCWR, I have become a well respected member of the community. I am not looking for fame or a big crown on my head, I have learned over the years that those things mean very little in the grand scheme of things. Over the years I have gone from a shy, quiet individual with very little self esteem to someone full of life and comfortable on stage addressing small bar crowds or thousands of people in Churchill Square at Pride. I would simply not be the person I am today had it not been for my experiences in Edmonton and with`the ISCWR.”

Those experiences have been many and varied, and have included some true highlights. Some of those proudest drag accomplishments occurred when Vanity and Binki created the Stardust Lounge. “We had talked and were both unhappy with the way the drag scene was headed in Edmonton and both knew we had the talent and the queens in our corner to make it better. We all put so much time and effort in to those shows and the Pride shows and i think the crowds really appreciated the effort. We elevated drag to a higher level in Edmonton and that is something I will always be proud of.” Since then, Vanity has striven to show up at ever show with that same level of quality and effort. The pride that the Stardust Lounge created in her is still there, despite the shows not continuing.

“With that said,” Vanity goes on to add, “one of my biggest regrets is that those days are over. Friends change over the years and sometimes drift apart. While I wouldn’t trade my life or friends now for anything in the world I do regret that we could not find a way to work together for the fans, Edmonton supported and embraced Binki and I from day one and they deserve the best entertainment the city has to offer.”

It has been a city that has truly embraced drag as an artform, although Vanity is saddened that it currently seems at a low. “I have seen Edmonton’s drag scene decline from a vibrant, large group of enthusiastic queens to a small group of talented individuals who are struggling to keep the scene alive. Edmonton used to be able to pack any bar in town when there was a great show going on, whether it was the weekly sundays shows at the Roost to the Court shows to the shows at Buddys. Each show had a loyal following that would come out rain or shine, 40 below or not to see the shows. Alot of changes in the community such as the closing of the Roost and the way other bars have treated queens over the years seems to have sucked the enthusiasm right out of us. The Roost is missed greatly and nothing has really filled that void in the community. we have great clubs now but nothing is like the Roost. I think we struggle too because the younger gays today don’t feel the need to only support and go to gay bars. When i came out you went to the Roost or Buddy’s because it wasn’t safe to go anywhere else. Now kids party anywhere they want so we don’t have a captive audience like we once did.”

Drag is not a cheap hobby either, Vanity is quick to note, and queens don’t get paid in Edmonton to put on the kind of mind blowing shows that the kids and bars want. That level of entertainment involves “a lot of expense and most queens are just not willing to undertake those expenses to do it. Edmonton is full of so many talented and unappreciated queens, some of the best in the country (you know who you are ;)) and sadly alot of them feel the scene now is just not worth the effort.”

The expense is not the only drawback to drag. Not only is there difficulty in finding a man, there can also be a lot of petty catty fights behind the scenes (and sometimes right on stage!). Vanity has learned to not really get involved, unless it pertains to her particularly. “It is all childish and unnecessary and can usually be stopped in its tracks if people just choose to be the bigger person and rise above it. Part of being the bigger person comes from realizing that being a drag queen or having a drag title is not going to make you or your life amazing. Your hard work and effort make your life amazing.”

Not many people know this but drag quite literally saved Vanity’s life. “I suffered through most of my 20’s with severe depression and anxiety. I was an insecure, shy young man with no self esteem or confidence. Drag allowed me to be someone else, forget my problems for a while, paint on a smile and face the world head on.” Over the years Vanity’s confidence and strength rubbed off on David and gradually the two of them merged into one person. “In the early days David and Vanity were two totally different people. Today they are very much similar and equals.”

One thing Vanity is sure of is that she would not be here or the man she is today without the bitch in her closet. Drag is a very important part of her life, one she could not imagine giving up for any reason, including a man. She has gained strength and confidence and now she wants to take all she’s learned, and as Empress, share that with some of the newer queens. She says that lately she has watched a new queen come to the scene who is following much the same path, and “I see her strength and confidence grow each time I see her out.” Behind all the makeup and wigs is usually a hurt little boy who has a story to tell. Not many people know or understand that – they just choose to judge instead of asking questions and trying to understand. That isn’t what drag is about for Vanity, not drag, and not life.

Originally published on QMagazine

The Edmonton Queens: GoDiva

Picture it. Fairview, 1985. A tickle trunk filled with old Halloween costumes, clothes, and his grandmother’s wigs introduces a young Dan to a world of imagination and dress up. From playing Granny Clampett in an elementary school play, to dressing up a hillbilly to go dumpster diving for furniture, to dressing up for the evening in disco / goth / vintage, Dan grew to love this world of make-believe. After coming out and moving to Red Deer, road trips to Calgary to see the Sunday night shows at Detours, featuring the fantastic talents of Eartha Quake, Cricket, the late Sandy St. Peters and the amazing Mr. Devon Mills, opened Dan’s eyes to the world of drag, and he knew it was a world he wanted to join.

After doing “drag” in Red Deer a few times as Octavia Lestrange, Dan moved to Edmonton, where his friend Mia, then known as Veronica Blackout, introduced him to Buddys. Dan found a drag mother in Eden Out, and together they settled on Gigolette on a name, based on an obscure musical of the same name. That didn’t stick though, and Dan changed his name again, to a character from said musical, Godiva. One night, after a few cocktails, another Buddys Beauty, Juanduh, pointed out that Godiva was Go Diva! And the big G and D stuck.

And a queen was born.

You have probably seen GoDiva out and about, perhaps doing one of her signature numbers. Life of the Party perhaps? Or something from “Wicked”? It might have been a number you didn’t know, because one of GoDiva’s joys is in finding things she’s never seen done and putting her stamp on it. Broadway mostly. Possibly something semi-obscure. Songs that tell a bit of a story, surely. The lipsync will be flawless, regardless of the number. As Dan is quick to point out, knowing your words is one of the first lessons new queens should learn. “God knows I can’t dance,” Dan says, “so I always needed to make sure I’m on with the lipsync.”

GoDiva started with just doing the bar shows. This opened a world of good memories, such as being in her first Buddys Beauties full production. A relentless Netta pounded Mein Herr into everyone during the hours of rehearsal brought a real sense of camaraderie and pride at the final performance. Other than the applause, it has been that camaraderie and those friendships that have kept GoDiva going, helping build Sunday shows at Buddys into something great, whether that was GoDonna shows (with Donnatella NE1) or Greasy Spoon shows. GoDiva was always big on bringing the Buddys Beauties outside of Buddys, and the first taste of that, a standing ovation at Coronation XXVII after their performance of “Vogue” wheted GoDiva’s appetite for reaching the broader community. That led to GoDiva winning Hey Drag Queen in 2004, which began her involvement with the ISCWR.

That involvement has gone on to include Mz Gay Edmonton 18, Entertainer of the Year, and Imperial Crown Princess. Being asked to run for princess “was a great honour” for GoDiva, although she is honest about partly wanting the title for the title. Yes, she knew it was going to be hard work, but “she was surprised along the way to meet so many great friends and to come to respect people for the hard work they put in. How they dedicate themselves to the betterment of the organization, its charities, and the community as whole, many of them behind the scenes and not on the stage.” Since stepping down as princess, GoDiva has been involved both on stage and behind the scenes, as a member at large on the board of the ISCWR, where she has striven to serve as a fair and a just voice without agenda.

Don’t get her wrong though. As much as GoDiva loves helping the community more, using shows to raise money while still having fun, she’ll still work for cash! After all, being an elected Empress takes money, and GoDiva can’t count the times she has been asked when she’ll run. Her answer is now as it has always been, “someday, hopefully, but until then I’ll continue to support as I have been.”

This is partly because drag has taught GoDiva so much. That she does like the spotlight and is not just a tag along. That with work and perseverance she can learn new things and better herself. That she has worth and something to give. They have made her stronger and more outgoing. “Dan is kinda shy, but GoDiva likes to rip peoples belts off. I think that the dichotomy was greater when I first started drag but over time the two have grown somewhat together”.

As much as she has learned from drag, GoDiva also has lessons to impart. One, she was given years ago by Netta, and it’s to talk to the people in the crowd before and after a show, and always try to introduce yourself to someone you haven’t met. “It really does go a long way,” she says. “And be nice, it takes time to get a bit of cattiness down just right.”

Originally published on QMagazine

The Edmonton Queens: Bianca

Onto a stage she slides, graceful and elegant, sequin-clad from head to toe. She sparkles in the spotlight, and she glows as the applause thunders. And then she crosses her eyes and makes a joke about pills and vertigo. She is Bianca.

In the Edmonton drag scene these past few years, there are some queens who truly stand out, whether for their looks, their talent, their humour, or their sheer pushiness. In Miss Bianca, Edmonton is blessed with a combination of all them. Known to most as simply Binki, Bianca has been doing drag since 1990, when her drag mother Molly Skidmark guided her onto stage at the Roost for a rendition of A Chorus Line’s “Dance 10, Looks 3”. Looking back, Binki says “it was a trainwreck. More like dance 3 looks 3”. She has come a long way since.

In her twenty-two years so far (and before that, even a five year old James was no stranger to his mom’s high heels), Binki has seen and accomplished much. From those first days at the Roost, through days at Fly Bar, 109 Discotheque, Buddys, Boots, Play, Flash, and Junction, this girl has made the rounds and paid her dues. For Binki, that drag career culminated with the Pride Celebration on the Square, the chance to not only give something back to the community as a whole, but also a sign that she had “made it”. Binki hosted Pride on the Square for six years, from 2005 with her Stardust-Lounge cohort Vanity Fair, and then the last few by herself.

Drag means a lot of things to a lot of people, freedom of expression, performance, a way to get people involved. To Binki, it’s magical at times. Drag has taught her what she can put up with, drag has taught her how to make people laugh. It has shaped who she is and what she stands for. “You are instantly known,” she says, “and people love you for something you created”.

Named after the Eva Gabor character from 1977’s “The Rescuers”, Bianca was nicknamed Binki by the infamous Kristy Krunt, who probably was too drunk to pronounce Bianca, Binki says. No one that has seen a Binki show would be surprised to learn that one of her role models is Diana Ross…the Boss. Ever since reading “All that Glitters” at twenty-three, Binki has seen Diana Ross as the ultimate in glamour, charisma, and versatility. With all the wigs, sequin gowns, false lashes and false tits that Diana Ross has worn since her days with the Supremes, she basically is a drag queen, Binki quips, and “one of the people that I try to be like.”

It hasn’t always been rosy though. It can also be very lonely. People that loved your last show don’t always want to give you a chance as boyfriend. There is a stigma surrounding drag queens, Binki notes, a stigma that they’re all drug addicts and crazy. “Sure I’m crazy,” she admits, “but in a fun way.” At times, James’ chance at love had to come before Binki’s chance at fame; at other times, the two were reversed. That lonely road that ended happily though; Binki and James have merged into someone who is now happily married, even if she did have to “mail order Terry from the mountains,” a place she hopes retire to in the next 10 years, just knitting on a houseboat in the Kootenays.

There have been other heartaches along the way, and hard lessons that had to be learned. Lessons about listening to other peoples’ opinions and simply “going with the flow” rather than speaking out and standing your ground. Lessons about the strength you need to survive all the shit that can go on in our community. Darker lessons, about losing friends along the way never having told them how much they matter to you. Frustrating lessons, about gay bars and their relationship with the queens who fill them.

This has frequently been a sore spot for Binki, who has hosted and starred in shows in so many past and current Edmonton clubs. She can get very frustrated with bars looking at queens in general as a dime a dozen, never seeming to acknowledge and accept the amount of work and money that goes into being a good queen, never seeming to appreciate fully that a packed club on a show night is due to the queens. Over the years, that attitude has persisted, but Binki and many of her generation of queens have outgrown it. They know their worth, and refuse to be degraded by bar owners that don’t have time for veteran, professional queens who have done so much in putting the Edmonton drag scene where it is today.

“I’d like to open up my own hole in the wall club,” Binki dreams, “a place where there is a little stage, some red velvet curtains and some candlelit tables where people, not just gay people, can come and enjoy a great little show!” Sadly, she goes on to admit that no one seems keen on doing anything about it, too content to complain, and to dream about a place, like the Roost, where we all really belong, queens and their audience.

The audience is one of the reasons Binki keeps coming back though, an audience that followed her from club to club these past years, as the Stardust Lounge created by her and Vanity relocated from Buddys to the Roost to Boots. Following a stint at Play with the Playgirls, the Stardust Lounge had a brief resurgence at Junction before the stars finally faded. Queens grow apart, and ego plays a part, Binki says, but the thing to remember is that we’re boys in dresses. Have fun with drag, and the audience will have fun with you. They will let you know when something works, and when something does not work. “They are the greatest learning resource,” she says, “without them, I wouldn’t know what I know today.”

If Binki today could pass back some of that wisdom to the Binki from years ago, she would tell her that “fame is fickle.. it’s very fleeting. You’re only as good as your last number. Sadly, that’s the way it is for a queen. It seems like yesterday that I first did “Baby Love”… I just don’t know when it all happened. I don’t know when I got older. Suddenly, it’s all new again, and I seem to have misplaced my tambourine.”

Her most significant piece of advice to her younger self is something she would also pass on to Edmonton’s gay community in general. “You will meet some pretty incredible people along the way,” she says. “Remember to keep those people in your life. Cherish them, because you never know how long they will be there for”.

Originally published on QMagazine