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Month: June 2012

The Edmonton Queens: GoDiva

Picture it. Fairview, 1985. A tickle trunk filled with old Halloween costumes, clothes, and his grandmother’s wigs introduces a young Dan to a world of imagination and dress up. From playing Granny Clampett in an elementary school play, to dressing up a hillbilly to go dumpster diving for furniture, to dressing up for the evening in disco / goth / vintage, Dan grew to love this world of make-believe. After coming out and moving to Red Deer, road trips to Calgary to see the Sunday night shows at Detours, featuring the fantastic talents of Eartha Quake, Cricket, the late Sandy St. Peters and the amazing Mr. Devon Mills, opened Dan’s eyes to the world of drag, and he knew it was a world he wanted to join.

After doing “drag” in Red Deer a few times as Octavia Lestrange, Dan moved to Edmonton, where his friend Mia, then known as Veronica Blackout, introduced him to Buddys. Dan found a drag mother in Eden Out, and together they settled on Gigolette on a name, based on an obscure musical of the same name. That didn’t stick though, and Dan changed his name again, to a character from said musical, Godiva. One night, after a few cocktails, another Buddys Beauty, Juanduh, pointed out that Godiva was Go Diva! And the big G and D stuck.

And a queen was born.

You have probably seen GoDiva out and about, perhaps doing one of her signature numbers. Life of the Party perhaps? Or something from “Wicked”? It might have been a number you didn’t know, because one of GoDiva’s joys is in finding things she’s never seen done and putting her stamp on it. Broadway mostly. Possibly something semi-obscure. Songs that tell a bit of a story, surely. The lipsync will be flawless, regardless of the number. As Dan is quick to point out, knowing your words is one of the first lessons new queens should learn. “God knows I can’t dance,” Dan says, “so I always needed to make sure I’m on with the lipsync.”

GoDiva started with just doing the bar shows. This opened a world of good memories, such as being in her first Buddys Beauties full production. A relentless Netta pounded Mein Herr into everyone during the hours of rehearsal brought a real sense of camaraderie and pride at the final performance. Other than the applause, it has been that camaraderie and those friendships that have kept GoDiva going, helping build Sunday shows at Buddys into something great, whether that was GoDonna shows (with Donnatella NE1) or Greasy Spoon shows. GoDiva was always big on bringing the Buddys Beauties outside of Buddys, and the first taste of that, a standing ovation at Coronation XXVII after their performance of “Vogue” wheted GoDiva’s appetite for reaching the broader community. That led to GoDiva winning Hey Drag Queen in 2004, which began her involvement with the ISCWR.

That involvement has gone on to include Mz Gay Edmonton 18, Entertainer of the Year, and Imperial Crown Princess. Being asked to run for princess “was a great honour” for GoDiva, although she is honest about partly wanting the title for the title. Yes, she knew it was going to be hard work, but “she was surprised along the way to meet so many great friends and to come to respect people for the hard work they put in. How they dedicate themselves to the betterment of the organization, its charities, and the community as whole, many of them behind the scenes and not on the stage.” Since stepping down as princess, GoDiva has been involved both on stage and behind the scenes, as a member at large on the board of the ISCWR, where she has striven to serve as a fair and a just voice without agenda.

Don’t get her wrong though. As much as GoDiva loves helping the community more, using shows to raise money while still having fun, she’ll still work for cash! After all, being an elected Empress takes money, and GoDiva can’t count the times she has been asked when she’ll run. Her answer is now as it has always been, “someday, hopefully, but until then I’ll continue to support as I have been.”

This is partly because drag has taught GoDiva so much. That she does like the spotlight and is not just a tag along. That with work and perseverance she can learn new things and better herself. That she has worth and something to give. They have made her stronger and more outgoing. “Dan is kinda shy, but GoDiva likes to rip peoples belts off. I think that the dichotomy was greater when I first started drag but over time the two have grown somewhat together”.

As much as she has learned from drag, GoDiva also has lessons to impart. One, she was given years ago by Netta, and it’s to talk to the people in the crowd before and after a show, and always try to introduce yourself to someone you haven’t met. “It really does go a long way,” she says. “And be nice, it takes time to get a bit of cattiness down just right.”

Originally published on QMagazine

The Edmonton Queens: Bianca

Onto a stage she slides, graceful and elegant, sequin-clad from head to toe. She sparkles in the spotlight, and she glows as the applause thunders. And then she crosses her eyes and makes a joke about pills and vertigo. She is Bianca.

In the Edmonton drag scene these past few years, there are some queens who truly stand out, whether for their looks, their talent, their humour, or their sheer pushiness. In Miss Bianca, Edmonton is blessed with a combination of all them. Known to most as simply Binki, Bianca has been doing drag since 1990, when her drag mother Molly Skidmark guided her onto stage at the Roost for a rendition of A Chorus Line’s “Dance 10, Looks 3”. Looking back, Binki says “it was a trainwreck. More like dance 3 looks 3”. She has come a long way since.

In her twenty-two years so far (and before that, even a five year old James was no stranger to his mom’s high heels), Binki has seen and accomplished much. From those first days at the Roost, through days at Fly Bar, 109 Discotheque, Buddys, Boots, Play, Flash, and Junction, this girl has made the rounds and paid her dues. For Binki, that drag career culminated with the Pride Celebration on the Square, the chance to not only give something back to the community as a whole, but also a sign that she had “made it”. Binki hosted Pride on the Square for six years, from 2005 with her Stardust-Lounge cohort Vanity Fair, and then the last few by herself.

Drag means a lot of things to a lot of people, freedom of expression, performance, a way to get people involved. To Binki, it’s magical at times. Drag has taught her what she can put up with, drag has taught her how to make people laugh. It has shaped who she is and what she stands for. “You are instantly known,” she says, “and people love you for something you created”.

Named after the Eva Gabor character from 1977’s “The Rescuers”, Bianca was nicknamed Binki by the infamous Kristy Krunt, who probably was too drunk to pronounce Bianca, Binki says. No one that has seen a Binki show would be surprised to learn that one of her role models is Diana Ross…the Boss. Ever since reading “All that Glitters” at twenty-three, Binki has seen Diana Ross as the ultimate in glamour, charisma, and versatility. With all the wigs, sequin gowns, false lashes and false tits that Diana Ross has worn since her days with the Supremes, she basically is a drag queen, Binki quips, and “one of the people that I try to be like.”

It hasn’t always been rosy though. It can also be very lonely. People that loved your last show don’t always want to give you a chance as boyfriend. There is a stigma surrounding drag queens, Binki notes, a stigma that they’re all drug addicts and crazy. “Sure I’m crazy,” she admits, “but in a fun way.” At times, James’ chance at love had to come before Binki’s chance at fame; at other times, the two were reversed. That lonely road that ended happily though; Binki and James have merged into someone who is now happily married, even if she did have to “mail order Terry from the mountains,” a place she hopes retire to in the next 10 years, just knitting on a houseboat in the Kootenays.

There have been other heartaches along the way, and hard lessons that had to be learned. Lessons about listening to other peoples’ opinions and simply “going with the flow” rather than speaking out and standing your ground. Lessons about the strength you need to survive all the shit that can go on in our community. Darker lessons, about losing friends along the way never having told them how much they matter to you. Frustrating lessons, about gay bars and their relationship with the queens who fill them.

This has frequently been a sore spot for Binki, who has hosted and starred in shows in so many past and current Edmonton clubs. She can get very frustrated with bars looking at queens in general as a dime a dozen, never seeming to acknowledge and accept the amount of work and money that goes into being a good queen, never seeming to appreciate fully that a packed club on a show night is due to the queens. Over the years, that attitude has persisted, but Binki and many of her generation of queens have outgrown it. They know their worth, and refuse to be degraded by bar owners that don’t have time for veteran, professional queens who have done so much in putting the Edmonton drag scene where it is today.

“I’d like to open up my own hole in the wall club,” Binki dreams, “a place where there is a little stage, some red velvet curtains and some candlelit tables where people, not just gay people, can come and enjoy a great little show!” Sadly, she goes on to admit that no one seems keen on doing anything about it, too content to complain, and to dream about a place, like the Roost, where we all really belong, queens and their audience.

The audience is one of the reasons Binki keeps coming back though, an audience that followed her from club to club these past years, as the Stardust Lounge created by her and Vanity relocated from Buddys to the Roost to Boots. Following a stint at Play with the Playgirls, the Stardust Lounge had a brief resurgence at Junction before the stars finally faded. Queens grow apart, and ego plays a part, Binki says, but the thing to remember is that we’re boys in dresses. Have fun with drag, and the audience will have fun with you. They will let you know when something works, and when something does not work. “They are the greatest learning resource,” she says, “without them, I wouldn’t know what I know today.”

If Binki today could pass back some of that wisdom to the Binki from years ago, she would tell her that “fame is fickle.. it’s very fleeting. You’re only as good as your last number. Sadly, that’s the way it is for a queen. It seems like yesterday that I first did “Baby Love”… I just don’t know when it all happened. I don’t know when I got older. Suddenly, it’s all new again, and I seem to have misplaced my tambourine.”

Her most significant piece of advice to her younger self is something she would also pass on to Edmonton’s gay community in general. “You will meet some pretty incredible people along the way,” she says. “Remember to keep those people in your life. Cherish them, because you never know how long they will be there for”.

Originally published on QMagazine

The Future of the Gay Bar

Does the gay bar still have a place in this more accepting world?

For years, the gay bar was an oasis. Only there could gay men and women find like-minded others. Only there could they find revelry and romance without fear of reprisal. It was in those gay bars that they plotted their revolution: a struggle for equal treatment, against discrimination. It was in those gay bars that they dreamed of a world where sexual orientation, like gender, like race, was simply a non-issue. It was in those gay bars that they came together as a community to fundraise for HIV/AIDS research, for pride centres and hotlines, for all sorts of GLBT causes that couldn’t get money from the outside world.

As time passed, as equality before the law became more real, as acceptance from the straight world began to be realized, suddenly those bars became less relevant. As the queer community expanded in pride and strength, it expanded into a plethora of social and sports groups, catering to all the interests under the rainbow. You didn’t have to go to the bar to meet other gay people; you could join the gay bowling team, gay curling team, gay swim team, etc. Still, the gay bar was the focal point of the community, the nightly watering hole and the Pride Week party central.

As time passes, as sexual orientation becomes less and less an issue in the minds of most people, especially the younger generaton, those bars become less relevant, again. No longer do you need to seek solace, safety, and solidarity within the walls under a rainbow flag. Now, when you want to go out for a night of drinking and dancing, you can do so at a bar that caters to your musical taste, or that’s stumbling distance from your home, or any number of criteria other than who you’re sleeping with.

(As a side bar, the impact that the world of online cruising has had on the gay bar is huge. Why get pretty and go out, play the Stand-and-Model games, when you can simply log onto any number of sites and have sex readily delivered to your door?)

As the queer march towards acceptance continues, what will become of the gay bar? What roles will it play in a world where its existence is not only no longer as needed but also, for some, no longer even desired? It is easy to envision a world where the gay bar is a kitschy stereotype of itself, a novelty not a necessity. The battles begun in gay bars, when won, would inevitably result in the extinction of those very bars. Even look at our own community, where a number of “straight” bars have nights catering to the gay market, or simply a mindset where, gay or straight, all are welcome. This is what we wanted, no?

Still, I feel that the days of the gay bar are not gone (and not only because I’m in the industry). To have that space where we are the majority, where we can have our drag shows and leather nights and lesbian folk singers, etc.. To have that community space where we can have our meetings and our fundraisers, that gay-owned and operated space where we can support our gay businesses with our gay dollars. To have those rainbow-clad walls.

That being said, the needs of the bar-going queer community are changing, and the queer bars have to change to match. No longer do they have a monopoly on that crowd. This forces change, and that change will be for the good. For the gay bar to survive in a world where the rainbow flag can fly freely anywhere, that change has to be.

Originally published on QMagazine